The Force Awakens screenplay (via /Film) sheds a bit of light on the film, including a (temporary?) name for the final planet, details on Rey’s vision, and how Kylo Ren feels about his actions in the final act (which is also reflected in the novelization.)
Both io9 and The Daily Dot explore things we’ve learned from Alan Dean Foster’s novelization that aren’t in the movie – including things that got changed. There are some possible hints at the big question regarding Rey, but remember that the novelizations have a rather tenuous connection to canon – they only really count when they’re supported by what’s in the actual films. (As for Rey, I’m not up for picking any teams yet, but I do plan to explore the question of her possible origins at some point.)
→ What happened to those lightsaber scenes, and other things that we saw in the trailer but didn’t make the final cut? J.J. Abrams explains to Entertainment Weekly.
Anthony Breznican at Entertainment Weekly has more from this weekend’s Writers Guild event with J.J. Abrams, Lawrence Kasdan and Michael Arndt, with a journey into deep spoiler territory on Kylo Ren and his actions. At The Hollywood Reporter, Graeme McMillan takes a look at why the pivotal moment works.
Things are a bit safer over with the Los Angeles Times, where Adam Driver talks about what the mask says about Kylo and some hints on the Knights of Ren.
J.J. Abrams , Lawrence Kasdan and Michael Arndt explained Artoo’s actions (and lack thereof) in The Force Awakens at a post-screening event on Saturday, as reported by Entertainment Weekly. These are some pretty hefty spoilers, so check them out at the link or below the cut.
A two-part press conference with The Force Awakens notables was held this afternoon in Los Angeles. It was moderated by (surprise!) Mindy Kaling, and here are a few things we learned. (Thanks to Entertainment Weekly and ComicBook liveblogs, plus all the live-tweeters.)
Today’s must read is Lawrence Kasdan at the Los Angeles Times. He talks about coming back to Star Wars, working with J.J. Abrams, canon (pure gold here), and the inate goofiness of the original trilogy. Just some great stuff.
Plus, on Rian Johnson’s Episode VIII: “He’s going to make some weird thing.”
In a new interview with Wired, The Force Awakens director J.J. Abrams talks about Star Wars in general, keeping secrets, the Millennium Falcon “changing hands,” and how the previous films succeeded and influenced the new. It’s today’s must-read (so far.)
Han’s prequel won’t go back quite as far into his past as The Phantom Menace did with Anakin Skywalker. Han will “definitely be probably in the high teens, low 20s,” Kathleen Kennedy told Entertainment Weekly. “We’re not introducing you to a 10-year-old Han Solo.” She also hints as to the tone of the film, but as for plot? What should remain a mystery?
“Those are exactly the questions we’re asking,” Kennedy says. “There’s got to be a reason for [the stand-alone film] to be. And obviously the thing that Star Wars has always done so well is it doesn’t spend a lot of time [explaining] the stories that have come before. We don’t want to do that either. We don’t want to spend time going back and answering a lot of questions that, quite frankly, I don’t think people want answered.”
The film was one of several ideas floating around, and it appealed to was Lawrence Kasdan:
“They said, ‘Here are the things that we’d like to make movies about,’ and I said, ‘Oh, well, Han Solo. I would write a movie about Han Solo. He’s always been my favorite.’ And that’s the job that I took,” Kasdan says.
As for the now-third Anthology movie, the one developed by Simon Kinberg, it’s still in the mix. (And rumored to be about Boba Fett, but isn’t everything?) They haven’t hired a new director to replace Josh Trank yet, but it will likely come out in 2020.
And there’ll be yet more Star Wars out of EW tomorrow…