The Hollywood Reporter has an extensive interview with Disney CEO Bob Iger where he addresses Star Wars timing, the streaming service and more.
On Star Wars, he acknowledges that the schedule so far may have been “a little too much, too fast.”
I made the timing decision, and as I look back, I think the mistake that I made — I take the blame — was a little too much, too fast. You can expect some slowdown, but that doesn’t mean we’re not gonna make films. J.J. [Abrams] is busy making [Episode] IX. We have creative entities, including [Game of Thrones creators David] Benioff and [D.B.] Weiss, who are developing sagas of their own, which we haven’t been specific about. And we are just at the point where we’re gonna start making decisions about what comes next after J.J.’s. But I think we’re gonna be a little bit more careful about volume and timing. And the buck stops here on that.
If Solo’s underwhelming box office means we’re not stepping up to two films a year anytime soon, I will consider that a worthy sacrifice. And I don’t mind going back to an even bigger gap, although I doubt we’ll see the three years of the OT and PT eras again. But look at what Disney is (reportedly) planning for Marvel on streaming, and something similar for Star Wars could be an interesting alternative to standalone spin-off films.
Thanks, Jason Fry. He included the much-mocked Shadows of the Empire Han substitute Dash Rendar in Tales from Vandor – briefly. There are a few other Legends nods in the book, summed up nicely by Star Wars Explained:
So Dash’s existence – yes. His shoulder pads? Unknown.
Solo is out today on digital, and we’ve had a wealth of behind the scenes info the last few days. Head under the cut for more on Phoebe Waller-Bridge’s L3-37, puppeteer Brian Herring, and co-writer Jon Kasdan.
Two more cut scenes from Solo today! The first, via Entertainment Weekly, is Han as a TIE trainee, and his subsequent trial that led him to Mimban. The second, a snowball fight on Vandor, debuts on The Star Wars Show, which also features a Ray Park interview: