Tag Archives: pablo hidalgo

Today in The Force Awakens: Red carpet to be livestreamed, Abrams on the script and starting from scratch

Today on Twitter: @HamillHimself is such a troll. (USA Today asked the cast.)

Today on Twitter: @HamillHimself is such a troll. (USA Today asked the cast; Carrie’s is best.)

After a successful deployment at Celebration Anaheim earlier this year, StarWars.com will be livestreaming The Force Awakens red carpet at the film’s official world premiere in Los Angeles on December 14. Andi Gutierrez, Anthony Carboni, and David Collins will be hosting and interviewing the cast and other notables.

→ J.J. Abrams talks to io9 about the script process (including Michael Arndt’s exit,) starting fresh with Lawrence Kasdan and even the Expanded Universe. (On that note, The Hollywood Reporter on the pre-Abrams story meetings.) At Nerdist, he says he wants to see Selma’s Ava DuVernay do a Star Wars film. She seems game! And Pablo Hidalgo’s fame continues to spread, as he’s the subject of the first question from the Associated Press.

→ Harrison Ford sheds some light on “Chewie, we’re home,” at io9, and says The Force Awakens “correctly ambitious in every sense” in the LAT.

→ Daisy Ridley and John Boyega are in the New York Times! With the AP, John shares the story of how (and why) he got Robert Downey Jr. as his mentor in fame. But he couldn’t resist getting a little saucy about Star Trek with Yahoo. (Well, about William Shatner, technically. Which is, I believe, legal under the Carrie Directive)

→ It was Oscar Isaac’s turn on Good Morning America today, where he talked about flying an X-wing.

→ In an interview with IGN, Adam Driver says that Darth Vader’s “commitment” is inspiring to Kylo Ren. He’s in favor of Stephen Colbert’s explanation for the broadsaber.

→ A film still of Billie Lourd in the movie has been floating around for a while now (plus she was in one of the first TV spots) but People has an official character portrait, in which we can see she wears her hair in a toned-down version of Leia’s iconic buns. Still no character name, though.

→ J.J. Abrams, Daisy Ridley, John Boyega and Adam Driver were in Seoul today goofing around, while Oscar Isaac, Lupita Nyong’o and Kathleen Kennedy were in Mexico City. I can’t find any reports in English, but damn they looked cool.

→ Also: The Force Awakens was the #1 movie on Facebook for 2015; Yesterday’s spoilerific Rey action figure got DMCA’d; NASA scientist would pick Threepio over BB-8 or Artoo to take to space. I am outraged! I have to go lay down now.

Rebels Recon: Always Two There Are


The new Inquisitors debuted on tonight’s ‘Always Two There Are’, and Recon shares a clip of Sarah Michelle Geller at NYCC earlier this month. Also, Dave Filoni and Pablo Hidalgo talk about (and tease) about the Inquisitors, and a question about TIE fighters.

There’s also a new interview with Filoni over at IGN, where he goes into a little more detail (though not that much) on the Inquisitors.

Next week: Hondo!

The Force Awakens: After the trailer roundup

STILL-tfa-trailer3-xwing

If you want some analysis on the trailer as a marketing move, Devin Faraci at Birth Movies Death has it down: “What we’re seeing is a major blockbuster hitting the standard checkpoints of movie marketing with great reluctance.”

Meredith Woerner at the L.A. Times has pieced together stuff from the trailers with convention-season cast interviews and is, if nothing else, a good refresher for those who aren’t spending 99% of their time in “the bubble.”

→ In China, the trailer debuted on the Great Wall, because why not.

→ All The Force Awakens trailer numbers you may need.

→ AMC will be giving out a cool poster to folks who go see the film in IMAX 3D.

→ Relevant! There’s a new interview with Pablo Hidalgo (plus Dave Filoni, Shelly Shapiro, Chuck Wendig and Kieron Gillen) about Lucasfilm’s Story Group.

→ Spoilers! Someone let slip some interesting info on Pip Anderson’s character to the Making Star Wars folks last night.

→ There’s a music-only version of the trailer. On that note, Ali Arikan at Slate writes about the brand-new John Williams score.