Tag Archives: john williams

Giacchino: John Williams should score Episode VII

Scoring (a) Star Wars

There’s been a lot of speculation that Michael Giacchino, who’s scored all of J.J. Abrams’ films, might step in to replace or collaborate with John Williams on Episode VII. But Williams said earlier this year that he’d like to return, and now Yahoo reports that Giacchino is all for it.

“One of the things that excites me most about ‘Star Wars’ coming back is chance to hear a John Williams score,” he said at a weekend Q&A in Switzerland:

“He has been a great inspiration to me over the years,” he continued. “He has been a great teacher to me and good friend and I would love nothing more than to hear more of his music from that universe.”

“If it were up to me I would say ‘John, you must do it.'”

In addition to Abrams’ films (and Star Tours: The Adventures Continue,) Giacchino has scored several films for Disney and Pixar. He was nominated for an Oscar for Ratatouille in 2008 and won in 2010 for Up. Williams, of course, has 5 Oscars, including one for the original Star War score.

Roundup: John Williams speaks hopefully about sequel trilogy

John WilliamsMusic. John Williams is perhaps one of the biggest question marks for the sequel trilogy, but at a recent concert he made some optimistic remarks, according a reader at the John Williams Fan Network. “I need to make sure I’m still ready to go in a few years for what I hope would be continued work with George,” he said on February 9. (via)

Opinion. Wired’s Laura Hudson writes about Leia and Hollywood’s woman problem, adding another voice to those of hoping for a female lead for Episode VII. Meanwhile, Tricia Barr looks at the male-centric wishlists for the spin-off films.

Ric Olie, is that you? Showbiz 411 is taking the Han Solo rumors fairly optimistically, and that Fisher and Hamill are sure to return as well, but the films will be about their kids. To which 99% of the internet says: Well, duh.

Oscars nominations boring as ever for genre fans

Not a whole lot of love for genre pictures at the Oscars this year.  The Avengers got just one nomination, for Visual Effects, where it was joined by online punching-bag Prometheus.  Both of them will probably lose to Life of Pi.

May the odds be ever in her favorThe good news is that some fan-favorite actors scored big.  Jennifer Lawrence was nominated for Best Actress — not for The Hunger Games, but rather for her work in Silver Linings Playbook.  She plays a woman suffering from a variety of mental illnesses so who knows, maybe she’ll even win.  And though The Dark Knight Rises was shut out, Anne Hathaway got a Supporting Actress nod for playing Fantine in Les Misérables, and she’s pretty much a lock.  Wolverine himself, Hugh Jackman, was also nominated for Les Misérables, but let’s face it, he has no chance.

The Hobbit got three nominations, for Visual Effects, Makeup, and Production Design.  Not bad until you remember that the last Middle-earth epic nabbed eleven nominations, and won all of ‘em.

Plus we have to mention: John Williams picked up his 48th nomination for Lincoln.  Pretty sure that’s a record.  And weirdly enough, the Simpsons are now Oscar nominees.  Something called Maggie Simpson in “The Longest Daycare” is up for Best Animated Short.

At least we can always look forward to making fun of the fashions.  This year the Academy Awards air on February 24th.

Edit: Thanks to Pablo for pointing out that new Lucasfilm head honcho Kathleen Kennedy (along with Steven Spielberg) was nominated for producing Lincoln!  It’s the front-runner for Best Picture, too.

Annies for John Williams and Rango, but The Clone Wars goes home empty-handed

There was no love – or at least, no awards – for The Clone Wars at Saturday’s Annie Awards. However, ILM’s Rango did take home several prizes, including best animated feature, while composer John Williams won for his Tintin score. ILM’s Transformers: Dark of the Moon took best animated effects.

The Clone Wars had 5 total nominations, including Best General Audience Animated TV Production (The Simpsons won) and editing. The individual achievement categories singled out Joel Aron for animated effects and voice actors Dee Bradley Baker and Nika Futterman.