Most of the Star Wars stuff you’ve already seen will be there on November 12 – plus at least one episode of The Mandalorian – but The Last Jedi, Solo and even The Rise of Skywalker will be coming within the “first year.” The new episodes of The Clone Wars will be coming in February (have we heard before that it’ll be 12 episodes?), but all the old episodes will be there, plus the complete run of Rebels and the first season of Resistance.
New shows on the service are expected to release episodes on a weekly basis.
The Last Jedi and Solo are currently on Netflix, under Disney’s old agreement with the veteran streaming service.
Welcome to the very belated release post for the week of Wednesday, April 17.
This week’s biggest release is Claudia Gray’s Master & Apprentice. Available in hardcover and eBook, it tells a Qui-Gon Jinn and Obi-Wan Kenobi story from several years before The Phantom Menace, plus flashbacks to Qui-Gon’s time training with Dooku. Also out now is the first actual making-of book of the Disney era, Making Solo by ILM’s Rob Bredow.
Actor Topher Grace made some headlines in 2012 when word leaked that he’d privately shown an 85-minute version of all three Star Wars prequels. That’s unlikely to ever see the light of day, but he and friend/collaborator Jeff Yorkes have now released a 5-minute “mega-trailer” for the franchise, including both complete trilogies, The Force Awakens, The Last Jedi, Rogue One and Solo. It’s absolutely worth a watch, and the perfect thing to come out as we await Episode IX.
Solo: A Star Wars Story became the latest Star Wars film to strike out at the Oscars. It was only up for one award: Best Visual Effects, which went to First Man.
Adam Driver and Richard E. Grant, both up for Supporting Actor for BlacKkKlansman and Can You Ever Forgive Me?, respectivly, lost to Mahershala Ali. Grant, who did win at the Independent Spirit Awards on Saturday, will make his Star Wars debut in Episode IX.
One (upcoming) Star Wars connection get gold: The Mandalorian composer Ludwig Göransson won for his Black Panther score.
We did see several other Star Wars alumni, including Diego Luna, who co-presented a segment about Best Picture nominee Roma, and Laura Dern, who talked about the Academy’s upcoming mueseum.
No Star Wars film has received an Oscar since 1984, when Return of the Jedi was awarded a Special Achievement Award for Visual Effects. The Last Jedi and The Force Awakens were both up for four Oscars each; Rouge One lost on two.
Oscar nominations came out this morning, and Solo got a nod for Best Visual Effects. Congrats to ILM’s Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy and the rest of the crew. It’s up against Avengers: Infinity War, First Man, Ready Player One and Christopher Robin.
We’ve also got a Golden Globes repeat in the Supporting Actor Race, with Adam Driver (for BlackkKlansman) and Richard E. Grant (for Can You Ever Forgive Me?) going up against each other, as well as Mahershala Ali (who won the Golden Globe,) Sam Elliott and Sam Rockwell.
It’s another record-breaker for Marvel, as Black Panther comes out with seven nominations, including Best Picture. It’s the first superhero movie, period, to be a Best Picture nominee. Ludwig Goransson, who will score The Mandalorian, is up for the film’s score.
Low-res preview pages for Industrial Light & Magic Presents: Making Solo: A Star Wars Story have appeared on Edelweiss. Take a look inside the Disney era’s first making-of book in the gallery under the cut.
Today is the day that Solo debuts on Netflix. It joins The Last Jedi and Rogue One on the streaming service – though the later will be departing on the 18th. (If you’re not in the U.S., your terms – and the available films – may vary.)
Indiana Jones and the Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade and Indiana Jones and the Kingdom of the Crystal Skull drop on the first; Solo appears on January 9.
But there’s something I missed last week that you can get your hands on – a new version of The Complete Visual Dictionary, quite literally the “new edition,” a title quirk which I’m sure will age well. (The last actual Visual Dictionary was released in 2006, but there was a new Visual Encyclopedia in 2017. The main difference seems to be that the Encyclopedia covers “more than 3,000” items, while the Dictionary boasts “more than 1,500”.)