The Star Wars Show goes behind the scenes at the Rogue One red carpet and takes a look at the film’s weapons.
→ Entertainment Weekly has a roundup of the major publication reviews. They’re a little more mixed than seems the standard, but there are honestly so many reviews out there that I lost track. (Lots of “best Star Wars since Empire!” Again. A new yearly tradition?)
→ Speaking of traditions, Lining Up is still at it (and sold out,) though only for 48 hours this time.
→ FYI, I know the film was shown in some international markets today, and I’ll have a discussion post up on the site tomorrow, just ahead of the first U.S. showings at 7 p.m. EDT.
If Rogue One makes anything clear, it’s this: The standalone movies are the new Expanded Universe. Now, I mean this from a wider perspective than just “how the Death Star plans got stolen.” (Yes, there were a number of stories about that in the old EU. I am, full disclosure, happy to not be particularly familiar with any of them.) But this is a movie that has as its basic concept a handful of lines from the opening crawl of A New Hope. And that alone feels to me like a very EU concept.
In short: Ten years ago, Rogue One would have a been a novel or a comic series. There was a big move to this exact sort of thing in the late days of the Legends EU – Heart of Darkness starring Mace Windu (Shatterpoint,) a small-town western starring Obi-Wan (Kenobi,) zombie stormtroopers (Deathtroopers, a term reused here – with a space – for black-clad but presumably not-undead troopers.) These books took big concepts and genres and rendered them as Star Wars. And that’s precisely what Rogue One does – Star Wars through the lens of a gritty war movie.
Rogue One is the evolved version of this, envisioned as a real movie for a franchise that’s only recently revived itself back onto the big screen with a $2B bang. For those that felt that The Force Awakens may have played it safe, well, here’s something entirely different. It’s recognizably the same galaxy – you don’t need Mon Mothma or Darth Vader to remind you of that – but it’s a different spin on it. (The daddy issues, though – those remain.)
Well, there’s a movie out this week. Whether you see it first thing Thursday night or wait for the weekend, know one thing: The Rogue One books are out on Friday. Namely, the novelization by Alexander Freed (eBook only,) the Rogue One Ultimate Visual Guide by Pablo Hidalgo and The Art of Rogue One. I haven’t seen any of them yet, but based on prior experience I say get the Visual Guide first.
For those looking for a different sort of prequel, there’s Poe Dameron #9 on Wednesday.
Yes, I’m a bit behind on this one, but sometimes 10 inches of snow happens and you have to shovel it. Twice. And then, uh, go to a thing in-between. Which brings us to the real reason for this item: To remind you that reviews for Rogue One come off embargo at noon EST (9 a.m. PST) tomorrow. Consider yourself warned!
→ Bob Iger does the CEO thing and plays it safe re: that one boycott. “Frankly, this is a film that the world should enjoy. It is not a film that is, in any way, a political film. There are no political statements in it, at all.” This film? Maybe. The franchise? Well…
I’ve seen a few people hoping that we’ll get an Episode VIII trailer with Rogue One. And while I’m as eager to see something new from VIII as anyone else, I don’t see it happening. At all. (And technically didn’t we already get a teaser?)
Here’s the thing: If they drop us something substantial for Episode VII, it will absolutely dominate the Star Wars news cycle for days, if not weeks. In other words: If they drop an Episode VIII teaser in the next 9 days, it takes attention away Rogue One. A lot of attention.
Lucasfilm doesn’t want to distract from Rogue One, and they don’t want to confuse people. I suspect we’ve all heard from (or of) people who are confused about Rogue One. Maybe they think it’s VIII; Maybe they don’t get it, period. It’s new territory, after all. Throwing brand-new Episode VIII footage around is only going to muddy those waters.
That doesn’t apply to all of us. Some of us multitask our fandom. We live and breathe Star Wars. But not every fan does. Not every fan is glued to social media, collecting every crumb. Not every fan needs that. And hell, maybe they’re healthier for it. (I won’t presume.)
We’re long past comparing the run up to VIII to that for The Force Awakens: Episode VII was the first live-action Star Wars movie in ten years, at the helm of a re-purposed franchise. Of course, we got the first teaser a year ahead of time. Of course, the timeline was different. From the initial announcement until it showed up on Blu-ray, it was the focal point of a $4B franchise. Right now? That focal point is Rogue One. And with Star Wars films coming every year, this is our new baseline.
No one is ignoring VIII, and certainly not the press – actors will talk, questions will be asked. Some of them may get (very vague) answers that turn into dozens of headlines. But we’re not going to get anything huge from the official sources.
There’s plenty of time for Episode VIII in 2017. It will absolutely have a huge presence in Orlando next April. (Maybe we get a teaser – or a title – before Celebration in Orlando, but remember Rogue One‘s first teaser? April.) But through at least January, Lucasfilm needs to sell Rogue One. And only Rogue One.
Twitter had a nice freak-out this afternoon as a ship resembling the Ghost from the Star Wars Rebels cartoon was spotted in a new TV commercial. (There’s more evidence on the Tumblr.) Easter egg? Cameo? Only time will tell.
And that was only one of several new commercials dropped today. Here’s one, and here’s one and here’s one that’s actually on the official site and in high res! Of course it’s the one with the least new footage.