Disney has posted a few new
The Last Jedi things on their award site, including several new stills, an extended score, production notes and the BAFTA Q&A with Rian Johnson and the cast.
Rian Johnson talks to People about
how they filmed the “Force connection” scenes between Rey and Kylo Ren. Remember those paparazzi shots of Adam Driver flying into Ireland with Daisy Ridley and Mark Hamill, and all those rumors of a big fight scene with the Knights of Ren? Jokes on us. Johnson has another wide-ranging interview over at the Daily Beast. He also explains Snoke’s big scene and the Kylo shirtless scene.
The NYT takes a look at
the women behind Lucasfilm’s story group, mainly Kiri Hart. It’s not just Pablo!
You’ll never guess
what from the Legends EU made it into the movie. Sort of. Hey, at least it’s not something Courtship of Princess Leia this time.
On that note, there’s a ton of meta happening on Tumblr. I’m
reblogging a lot of it and hope to do a roundup of the highlights here, but for the moment, an analysis of “the sacred Jedi texts.” (There’s plenty more coming – the fandom is prolific and I have a ton of backlog in the drafts folder.)
Tech corner: Neal Scanlan on
how they built the film’s creatures, and again | Visual effects supervisor Ben Morris on creating Crait and the Earth equivilants | How Yoda was rebuilt | The movie’s sound design | The creation and science of that silent hyperspace scene.
And now that we’ve all had a chance to take the movie in, the behind-the-scenes stuff has started flowing in… There are several Rian Johnson interviews out and about, with the best perhaps being at the
Los Angeles Times. There he talks about introducing new Force powers, Rey and Kylo, and the whole purpose of the shirtless scene. Also: Business Insider, a Variety podcast and The Director’s Cut podcast.
Continue reading “Behind The Last Jedi: Story, effects, costumes, and more”
ABC’s Nightline takes a look at how Grand Moff Tarkin and Princess Leia were recreated for
John Knoll discusses the choice to and methods of
resurrecting Peter Cushing’s Grand Moff Tarkin for with the New York Times. Rogue One
ILM has posted a new VFX reel for
The Force Awakens, giving us new look behind the (digital) scenes of the film.
Marvel today announced (via Comic Book Resources) that they’re doing a 5-issue adaptation of The Force Awakens for June. Aftermath author Chuck Wendig is writing, with Luke Ross on art.
The Force Awakens comic, an ongoing featuring Poe Dameron, will launch in April.
Jedi News noticed that The Force Awakens Blu-ray is now listed as a three-disc set – two Blu-rays and one DVD – on Blu-ray.com. Everyone is still playing coy on the release date, but it’s probably April 5.
→ Co-producer Ben Rosenblatt talks to
The Hollywood Reporter about the film’s final shot.
Jason Fry explains how General Hux’s father became part of his Rebels tie-in series, Servants of the Empire.
Variety looks into how ILM made Starkiller Base crumble. Spoiler: Computers.
The Force Awakens won four categories at the Visual Effects Society Awards, including outstanding VFX in a photoreal feature. On that note, there’s a new Roger Guyett interview over at Deadline.
→ Bryan Young talked to Matthew Wood and David Acord about how BB-8 got his voice for
How Stuff Works.
The Force Awakens is likely to pass $900M domestically and $2B globally this coming weekend, Scott Mendelson reports.
→ Your moment of extremely relevant zen:
An adorable puppy finds a home.
There’s another behind-the-scenes look at the visual effects of
The Force Awakens at Variety. The nearly 11-minute video features visual effects supervisors Roger Guyett and Patrick Tubach, creature supervisor Neal Scanlan, and special effects supervisor Chris Corbould.
A breakdown and a split screen of The Force Awakens visual effects from iamag.co. ( via)
Fair warning: The split screen is pretty low res.