With The Force Awakens releasing on digital tonight, we got a couple of new things today, not least of all two new still, above. (via.)
USA Today has an interview with and new video clip featuring John Boyega. He talks about training for the lightsaber fight on Starkiller Base and the hardest secret to keep. (Bonus: Sleeveless Adam Driver.)
At Fandango, Matthew Wood on the effect they were going for with the voice modulation on Kylo Rens helmet.
Expect plenty more to come, as the Blu-ray is out Tuesday the 5th. The Star Wars Facebook page is planning a live Q&A with Daisy Ridley for Monday, and you can submit questions now.
The Force Awakens will cross $900M domestic at the box office today, and $2B worldwide tomorrow, Disney announced.
In related news, Lionsgate said today that Star Wars is partially at fault for The Hunger Games: Mockingjay, Part 2‘s less-than-predicted performance, lessening the November movie’s numbers by “somewhere between $50M and $100M.” Don’t blame the players, blame the game? And maybe even the ever-more-eye-rolling trend of splitting adaptions into two parts… I saw both Mockingjays in the theater, but I gotta tell you, by the second movie I was pretty much already over it.
→ The sound we hear in The Force Awakens when Kylo Ren uses the Force has an unexpected source: A purring cat, Dave Acord tells Nerdist. Matthew Wood also talks about recording Ren’s mask dialogue with Adam Driver. (Acord also reveals there’s a sound from Raiders of the Lost Ark in the mix.) At The Daily Dot, Wood gets into even more detail about the archival sounds used in the new film, as well as the ADR process and other details.
→ I’ve never been particularly fond of the autograph racket that goes on in this fandom, but I gotta say, the latest controversy – involving Daisy Ridley – really takes the cake.
The Force Awakens received five Oscar nominations this morning, all in technical categories. John Williams got his 50th nomination for the score. ILM’s Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould are up for the film’s Visual Effects. Matthew Wood and David Acord are nominated for sound editing, with Andy Nelson, Christopher Scarabosio and Stuart Wilson for sound mixing. The biggest surprise is Maryann Brandon and Mary Jo Markey for editing.
the 88th Academy Awards will be given out Sunday, February 28.