Vanity Fair and Annie Leibovitz have come for The Last Jedi with a vengeance. They ‘re offering four covers (a rarity for them) which they revealed today. Tomorrow we get a look at the inside photos and the full story.
From the cover reveal, we see Phasma unmasked for the first time (RIP the popular Tumblr theory that she’s a Chiss) and learn the full name of Kelly Marie Tran’s Rose Tico, “the new character with the most screen time.”
The issue will be on newsstands May 31 in New York and Los Angeles, and June 6 nationally. You can also < ahref="https://subscriptions.vanityfair.com/pubs/N3/VYF/Summer_Issue_Other.jsp?cds_page_id=216334&cds_mag_code=VYF&id=1495566095458&lsid=71431400367018471&vid=2">order each cover individually, or get a poster with a subscription.
→ A new tie-in has been spotted, a juvenile novel called Bomber Command. It’s part of the Replica Journal series, which implies that said squadron will see some action (the fighters we see on Crait, perhaps?) in the film. (via)
There were a lot of baby Kylos last year. The name jumped the popularity ranks from #3269 in 2015 to #901 in 2016, according to the U.S. Social Security Administration. So it’s not incredibly popular (to contrast, Ben was #704, and Benjamin is #6) but it is getting more popular. And note – it’s still less popular than Anakin, which is #778, up from #910.
At #175 Finn is the most popular sequel-trilogy related name associated with a major character – but it’s in been in wide use and gaining in popularity for more than a decade now, so we can’t peg that to Star Wars alone. Rey hasn’t shown any major growth, though it did jump from 904 to 868 (though as a male name – it’s not in the top 1000 for girls.)
As for the old standbys, Leia is #321, while Luke is #29. Poe, Han, Padme and Armitage (I had to look it up just for kicks) are all unranked.
Rian Johnson had (at least) one request for J.J. Abrams about The Force Awakens‘ ending – to have Artoo go with Rey instead of BB-8, so the classic droid could be reunited with Luke Skywalker. Luke, naturally, is central to The Last Jedi:
“Figuring out where his head was at was the very first thing I had to do when writing the movie. I had to crack this. And it had to be something for me that first and foremost made sense. Why did Luke Skywalker go off to this island?” Johnson says. “That was the starting point, and that’s what the entire movie explores.”
So Luke’s self-exile – and his reasoning – is a key factor in the film.