Boyega and Ridley on diversity, the Millennium Falcon, and lightsabers in The Force Awakens

Daisy and John

I’m not sure if we’re coming up on the last of the Entertainment Weekly stuff or not (my issue did not arrive in a timely fashion, as per usual, and the app is awful) but this afternoon brought interviews with Daisy Ridley and John Boyega. Addressed is some of the backlash:

“We see through the eyes of children that they’re not talking about race the way we grown folks are. They’re not talking about color or how much melanin is in someone’s skin. That should teach us something,” Boyega says.

The bigots trying to sully things? He has no time for them. “We’ve been having a continuous struggle with idiots, and now we should just force them to understand – and I love the way I just used Force there, by the way – just force people to see this is the new world,” he says. “There are loads of people of different shades and backgrounds. Get used to it.”

Ridley talks about Harrison Ford and the Millennium Falcon:

She even got some sage starship-flying advice from Harrison Ford. “I was doing random switch-flipping and Harrison kind of put his hand out and said, no, everything had to have a purpose. Like, you flip a switch and then you see what it does, before you do anything else,” she says. “I was probably flipping switches too quickly!”

There was one other awkward moment. “Um, probably when I sat in his pilot seat,” Ridley says. “There’s a shot where I pilot the Falcon by myself. And then [on another day] Harrison and I went to film together. I went to get into the pilot seat and he was like, ‘That’s mine,’ and I was genuinely mortified. And J.J. was sitting there like, ‘Oh my God, oh my God.’ And, you know, I moved into the co-pilot seat.”

And Boyega on lightsabers:

“It started in rehearsals. We had [Kylo Ren actor] Adam Driver. That was the first time ever I had a stick in my hand that I could pretend was a lightsaber, which was the first stage of excitement,” he says. “I had to do all the sound effects and stuff by myself.”

In front of the cameras, he was given a much more elaborate prop. “That’s when I got the real saber, which is blue, it’s lighted, and just looks really epic,” Boyega says. “It felt monumental in my hand. I knew not to play like I used to when I was a kid, but to actually use it in serious combat for a scene. It’s absolutely crazy to have in your hand. It’s a bit heavy but it’s worth it. “

I believe that’s confirmation of something Making Star Wars posted last month, about how custom versions of Force FX lightsabers were used on set to help with lighting and other effects.