While we are eagerly awaiting news of how the bonus content for The Clone Warswill take shape, the show picked up nominations for the 41st Annie Awards, given out for the best in animation. Announced by ASIFA-Hollywood, nominations for The Clone Wars included two individual achievement categories: Keith Kellogg for Character Animation in an Animated Television/Broadcast Production and Jason W.A. Tucker for Editorial in an Animated TV/Broadcast Production. The nominations were released today, and the award winners will be announced in February.
Our frequent interviewee Michael Price, writer of the LEGO Star Wars specials earned a nomination for Writing in an Animated TV/Broadcast Production for his work on The Simpsons. Juried awards have already been announced, including the Winsor McCay Awards to Steven Spielberg and Phil Tippett.
ILM also continued its streak of Annie award nominations, with four nominations, three of them in a single category of Animated Effects in a Live Action Production (two different teams for Star Trek Into Darkness and one for Pacific Rim). Another Pacific Rim ILM team got a nomination for Character Animation in a Live Action Production.
All hail @rafaeloca for discovering the hidden R2-D2 in Star Trek Into Darkness. Also last week, the My Lemony Falcon, the littlest Lando, Vader deals with those meddling kids and remembering A.C. Crispin.
Last week’s best tweets bled over into Monday, because I’m sure you don’t want to wait a whole week for the Rebelsstuff, right? Also: We saw Star Trek Into Darkness, the first week of Star Wars Weekends is a thing that happened, and Artoos invaded Lucasfilm. All that and more under the cut.
In an interview with Buzzfeed, costume designer Michael Kaplan says he’ll be working on J.J. Abrams Episode VII.
“I’ve just learned I’ll be working on the new Star Wars movie, again with J.J. Everything just got formalized [last week], I haven’t even had the chance to talk to anyone about it all other than to be told ‘welcome aboard.’ It’s a little too soon to know exactly what’s in store but I’m excited, absolutely, to get to work on another prestigious sci-fi series.”
In addition to both Abrams Trek movies, Kaplan’s credits include Blade Runner and Fight Club. (via)
The Wrap reports that the Paramount/CBS scuffle over Star Trek merchandising rights prevented J.J. Abrams and Bad Robot from doing quite as much as they would have liked to with the franchise off-screen – and that struggle could have had a part in him signing on with Lucasfilm. His Star Wars contract may allow Abrams a hand in the Star Wars “television properties, theme park rides and spin-off films” that will emerge in the new era his Episode VII is spearheading.
As successful as “Star Trek” has been, few franchises match the profitability and cultural prominence of George Lucas’ space opera, which would be difficult for any director to pass up.
“Disney has always been oriented to multi-platform revenue stream situations,” Seth Willenson, a film library valuations expert, told TheWrap.
Moreover, Willenson notes that Abrams, who has a deal that is believed to include creative and profit participation in “Star Wars” inspired merchandise and spin-offs, will have more control in shaping the legacy of the Skywalker clan than he would have had with developing side projects for the “Star Trek” crew.
Granted, while Lucasfilm, and thus Disney, does own most of Star Wars free and clear, the franchise isn’t totally free of hurtles. 20th Century Fox has distribution rights to the first Star Wars“in perpetuity,” while the other 5 will revert to LFL in 2020. This could complicate things like box sets in the future, but for Abrams, that’s not going to be an immediate issue, or stop him from exploring multi-platform options.
Meanwhile, it’s Bryan Burk’s turn to talk about Episode VII and secrecy with /Film.
More interviews with J.J. Abrams as we near the release of Star Trek Into Darkness. Collider presents an interview from Brazilian site Omelete who ask Abrams about Han shooting first, the prequels and his favorite Star Wars film.
And from the Associated Press, Abrams points out the ridiculousness of all the Episode VII questions he’s been getting:
“What the approach is going to be remains to be discussed, because it’s in process,” he said. “So it’s a weird thing to be talking about. If I’m charging down the court dribbling the ball, it’s hard to comment on the layup that’s about to take place.
“I feel like the ball is just getting passed to me now, to complete the annoying metaphor.”
Meanwhile, there’s a nice interview with Abrams’ sometime collaborator Damon Lindelof from The Hollywood Reporter, where he talks about getting into writing, Lost, George Lucas, Star Wars and more.