So, as you probably already know, Leonard Nimoy died today. There’s not really much I have to add to what’s already been said, thousands of times over.
The first movie I can remember going to in the theater is The Search for Spock. Star Wars may have been the bigger phenomenon in the early ’80s, but Star Trek was on TV, regularly. For a kid born in the late ’70s to geek parents, with no older siblings to pass on the Star Wars bug, Trek was simply more present. I was never precisely fannish about it, but I liked it, I’ve watched most of the movies, and I know I’ve seen nearly every episode of TOS and TNG at some point or another.
I saw a lot of references to Nimoy today as the “soul” of Trek, and, yeah: That sounds about right.
While we are eagerly awaiting news of how the bonus content for The Clone Warswill take shape, the show picked up nominations for the 41st Annie Awards, given out for the best in animation. Announced by ASIFA-Hollywood, nominations for The Clone Wars included two individual achievement categories: Keith Kellogg for Character Animation in an Animated Television/Broadcast Production and Jason W.A. Tucker for Editorial in an Animated TV/Broadcast Production. The nominations were released today, and the award winners will be announced in February.
Our frequent interviewee Michael Price, writer of the LEGO Star Wars specials earned a nomination for Writing in an Animated TV/Broadcast Production for his work on The Simpsons. Juried awards have already been announced, including the Winsor McCay Awards to Steven Spielberg and Phil Tippett.
ILM also continued its streak of Annie award nominations, with four nominations, three of them in a single category of Animated Effects in a Live Action Production (two different teams for Star Trek Into Darkness and one for Pacific Rim). Another Pacific Rim ILM team got a nomination for Character Animation in a Live Action Production.
All hail @rafaeloca for discovering the hidden R2-D2 in Star Trek Into Darkness. Also last week, the My Lemony Falcon, the littlest Lando, Vader deals with those meddling kids and remembering A.C. Crispin.
Last week’s best tweets bled over into Monday, because I’m sure you don’t want to wait a whole week for the Rebelsstuff, right? Also: We saw Star Trek Into Darkness, the first week of Star Wars Weekends is a thing that happened, and Artoos invaded Lucasfilm. All that and more under the cut.
In an interview with Buzzfeed, costume designer Michael Kaplan says he’ll be working on J.J. Abrams Episode VII.
“I’ve just learned I’ll be working on the new Star Wars movie, again with J.J. Everything just got formalized [last week], I haven’t even had the chance to talk to anyone about it all other than to be told ‘welcome aboard.’ It’s a little too soon to know exactly what’s in store but I’m excited, absolutely, to get to work on another prestigious sci-fi series.”
In addition to both Abrams Trek movies, Kaplan’s credits include Blade Runner and Fight Club. (via)
The Wrap reports that the Paramount/CBS scuffle over Star Trek merchandising rights prevented J.J. Abrams and Bad Robot from doing quite as much as they would have liked to with the franchise off-screen – and that struggle could have had a part in him signing on with Lucasfilm. His Star Wars contract may allow Abrams a hand in the Star Wars “television properties, theme park rides and spin-off films” that will emerge in the new era his Episode VII is spearheading.
As successful as “Star Trek” has been, few franchises match the profitability and cultural prominence of George Lucas’ space opera, which would be difficult for any director to pass up.
“Disney has always been oriented to multi-platform revenue stream situations,” Seth Willenson, a film library valuations expert, told TheWrap.
Moreover, Willenson notes that Abrams, who has a deal that is believed to include creative and profit participation in “Star Wars” inspired merchandise and spin-offs, will have more control in shaping the legacy of the Skywalker clan than he would have had with developing side projects for the “Star Trek” crew.
Granted, while Lucasfilm, and thus Disney, does own most of Star Wars free and clear, the franchise isn’t totally free of hurtles. 20th Century Fox has distribution rights to the first Star Wars“in perpetuity,” while the other 5 will revert to LFL in 2020. This could complicate things like box sets in the future, but for Abrams, that’s not going to be an immediate issue, or stop him from exploring multi-platform options.
Meanwhile, it’s Bryan Burk’s turn to talk about Episode VII and secrecy with /Film.