It certainly made MSNBC take notice (well, technically Newsarama, but let’s take a wild guess at which version got the most eyeballs) that more women are flocking to geek fandom – or at least the traditional aspects like San Diego Comic Con.
“Hollywood is finally waking up to the fact that girls like a wide variety of things beyond Barbie and Sex and the City,” said actor Mike McMillian, who plays the Rev. Steve Newlin on the HBO television series “True Blood”, a sexed-up vampire show that has proven itself popular with both male and female fans. “The universal success and appeal of ‘Harry Potter’ probably kicked this off in some ways. There are obviously concepts out there that are more appealing to boys than girls, and vice versa, but things don’t always have to be organized into ‘pink’ and ‘blue’ categories.”
McMillian counts himself among the fanboy culture and is writing next year’s comic book series “Lucid” from publisher Archaia. But the actor said he thinks there have always been fangirls — Hollywood just never courted to them before now. “There are legions of women out there who love this stuff, but I think they’ve been largely disregarded up to this point,” he said.
Is it time to step back from thehate and take a look at the bigger picture here? (via)
Suvudu caught internet rockstar Pablo Hidalgo in-between his official StarWars.com duties at Comic-Con to talk about his book G.I. JOE vs COBRA: The Essential Guide.
Muggs. Empire Muggs back profiles of Dave Filoni, Cat Staggs, Robot Chicken’sRebecca Van Cleve and Adam Koford. And thr auction is on now, with one or two figures currently fetching up to $425. (Most are still much lower.)
Fate of the Jedi: Hard up for something even after the panel video? Well, you can listen to an audiobook sample of Abyss at Random House now. Seems to be the same section we got a peek at in Omen. (Thanks to Zee Zee.)
The Old Republic. I’m pretty sure I missed blogging that the second part of the TOR webcomic is well underway. (The gaming is always the first to go.)
EUC updated today with the rest of the FOTJ panel video from SDCC. I’d sum up, but I haven’t even had a chance to watch them myself yet… Everything is under the cut, natch. (more…)
Presentations at Comic-Con have become big business. The Lost shindig alone cost an estimated $25,000 and attracted some 6,500 fans, many of whom lined up for as long as 16 hours to get a chance to see executive producer Damon Lindelof, and actors Josh Holloway, Michael Emerson, Jorge Garcia and Dominic Monaghan talk about whether Oceanic Air has a “perfect safety record.”
Now that everyone’s settled back home and able to blog more easily, we’re starting to see a few more con reports. StarWars.com has recaps of The Empire Muggs Back and the Robot Chicken Skate party (which is now moving on to L.A.,) while Rebelscum posted a gallery of Sideshow’s customized stormtroopers. Meanwhile, Atom.com has recruited G4 hostess Olivia Munn to help with their Fan Movie Challenge. We can only pray that mullet-play is optional.
In EUish news, the Scribe Awards were also given out at the con, and Karen Miller’s The Clone Wars: Wild Space did not take the Best Novel – Adapted prize under Speculative Fiction. It went to an actual adaptation, Bob Greenberger’s novelization of Hellboy: The Golden Army. However, James’s Rollins novelization of Indiana Jones and the Kingdom of the Crystal Skull did take the Adapted prize in the category of General Fiction. (How are aliens general fiction, again?) Congrats to Rollins and condolences to Miller, in any case.
So I’ve pretty much given up any hope for a complete Fate of the Jedi panel report at this point (this is the last time I’ll bring it up) but Sue Rostoni did make a post on the StarWars.com forums about the Fate of the Jedi story conference that was held at SDCC. It’s not that long, all things considered, but here’s the bulk of it:
I feel honored to be able to contribute creatively and watch the really talented people take a small idea and come up with captivating situations. And the interaction among the authors works exceptionally. Christie would have a spark of an idea that Aaron would hit on and set up in his book; Troy would see something developing in Christie’s book that he’d want to finish off; some small throw-away line would become a set-up for something happening somewhere else…