→ On Good Morning America, Harrison Ford revealed he’s seen The Force Awakens and declines to reveal Han Solo’s relationship status. Howard Stern had Adam Driver on, and I definitely recommend giving it a listen. (Driver revealed – accidentally? – he’s signed for 3.) And going back to yesterday’s J.J. Abrams interview on Sirius XM, he talks about that first cast photo.
The big news out of J.J. Abrams’ appearance on The Tonight Show with Jimmy Fallon was that he collaborated with Hamilton’s Lin-Manuel Miranda on the music for The Force Awakens’ Cantina equivalent. (Maz Kanata’s place, no doubt.)
It’s going to be a busy week for our DVRs. Good Morning America will have J.J. Abrams on Monday, Harrison Ford on Tuesday, and John Boyega and Daisy Ridley on Wednesday. Carrie Fisher will be on Live with Michael and Kelly on Thursday.
Abrams and Ford will also be on The Tonight Show with Jimmy Fallon on Monday and Tuesday. Then, Lupita Nyong’o will be on The Daily Show with Trevor Noah on Wednesday, while Fallon will host Adam Driver. Daisy Ridley will be on Fallon Thursday night.
J.J. Abrams and the cast of The Force Awakens talk about the new Omaze initiative today. It launched with help from Harrison Ford last week, but a key cast member is missing from this one. However, it does end with a ‘to be continued…’
For more information on the charities selected by the cast, head to StarWars.com.
At the ‘Celebrity Nerd-Off’ with Stephen Colbert, J.J. Abrams revealed that he finished the final sound mix for The Force Awakens early Saturday morning, Yahoo Movies reports. There are “six very small, but important things that (still) need to be done,” per Variety.
→ Deadline claims that we’ve only seen about 5% of The Force Awakens ad campaign, and that it’s really going to ramp up over Thanksgiving. I have a feeling this means ad buys, but consider yourself warned. (And remember, if you’re reading fan sites you’re already paying a lot more attention than most people are.)
Because Luke Skywalker missing is the whole point. A more interesting question may be, what does the rest of the galaxy know?
“It was the thing that struck me the hardest, which was the idea that doing a story that took place nearly 40 years after Jedi meant that there would be a generation for whom Luke Skywalker, Han Solo, and Leia would be as good as myth,” Abrams says. “They’d be as old and as mythic as the tale of King Arthur. They would be characters who they may have heard of, but maybe not. They’d be characters who they might believe existed, or just sounded like a fairy tale.”
Abrams does talk at length about how Rey and Finn would perceive Luke or the Jedi, however. For Rey, there’s only the scattershot stories she may have heard. For Finn, “raised from the ashes of the Empire,” Luke is a propaganda villain. (Han Solo? A footnote.)
As for the blue lightsaber, it’s “an important piece of the puzzle that will reveal Luke’s fate and whereabouts.”
And yes, there’s more quotes from Abrams and Hamill, but they’re not going to give you the full story. Not yet.
“When we first started working on it, he had some rough notions of how Snoke was gonna look, but it really hadn’t been fully-formed and it almost came out of discussion and performance,” Serkis says.
He’s too “tall” and “extreme” for prosthetics, Serkis says. “Without giving too much away at this point, he has a very distinctive, idiosyncratic bone structure and facial structure.”
As for the character:
“Supreme Leader Snoke is quite an enigmatic character, and strangely vulnerable at the same time as being quite powerful,” Serkis says. “Obviously he has a huge agenda. He has suffered a lot of damage. As I said, there is a strange vulnerability to him, which belies his true agenda, I suppose.”
“No, he’s a new character in this universe. It is very much a newly-introduced character,” Serkis says. “He’s aware of what’s gone on, in the respect that he has been around and is aware of prior events. I think it’d be fair to say that he is aware of the past to a great degree.”
Serkis also says that he and Lupita Nyong’o’s Maz Kanata “are the only two performance-capture characters in an otherwise very analog world.”