“Although it will be set in the worldwide community of witches and wizards where I was so happy for seventeen years, Fantastic Beasts and Where to Find Them is neither a prequel nor a sequel to the Harry Potter series, but an extension of the wizarding world,” author J.K. Rowling said in a news release. “The laws and customs of the hidden magical society will be familiar to anyone who has read the Harry Potter books or seen the films, but Newt’s story will start in New York, seventy years before Harry’s gets underway.”
Rowling will be writing the screenplay, which will be her first. No word yet on when it’ll be released, but for the love of Pete, let’s hope it’s not Summer 2015.
Or is it Attack of the Clones? Well, I suppose that depends on your certain point of view…
Earlier this week, Vulture posted a massive list of what they’re calling the most influential fan bases, and Star Wars came in number 2 – pretty good, all things considered. Occupying the #1 spot is Game of Thrones, which I can’t really be all that bitter about seeing as they’re peaking right now. (And, well, I’m a fan, if not technically in the fandom.)
It’s an interesting series, but one major qualm with the Star Wars listing: Warsies? Dude, no one with an actual clue uses that term. It’s not even a Trekker/Trekkie situation: No one uses it.
A British newspaper is reporting that a 40-foot He-Who-Must-Not-Be-Named and Mary Poppins – among other noted characters of British literature – will be featured in the Opening Ceremonies of the London Olympics on Friday. The Sunday Times writes:
About 30 actors each depicting Mary Poppins, the magical English nanny played by Julie Andrews in the 1964 Disney film, will descend from the roof of the stadium on wires and “float” to the ground with their opened umbrellas. The nightmare will be banished and happiness restored. “It’s a jaw-dropping sequence,” said one source.
If this is true, it’s going to be completely batshit. I hope it’s true.
Martin Scorsese’s Hugo – one of the few lead nominees that had any (tentative) connection to genre – swept the technical awards, with Oscars for Cinematography, Art Direction (beating Harry Potter and the Deathly Hallow Part 2,) Sound editing (over Potter and Transformers 3,) Sound Mixing, and Visual Effects (over Potter, Transformers, Real Steel and Rise of the Planet of the Apes.)
Harry Potter also lost out in Makeup, to The Iron Lady. One bright spot: The Muppets took Original Song.
As for the show itself…. It seemed like they just gave up on the younger demographic entirely. The whole show had a tone of ‘Remember how great movies used to be? Before blockbusters and computers? When we, the voting members of the Academy, were young?’ (Nothing, perhaps, says this better than The Artist wins: Old stuff and Hollywood self-absorption.) Billy Crystal may be ‘classic’ but about halfway through his painful song melody I was checked out of his performance and wishing for someone new. (Tom Hanks? Everyone loves Tom Hanks. And he doesn’t sing!) Or just bring back Jon Stewart, who made the montages actually fun. (Also, blackface? How far we’ve come, America.) Hell, let the Muppets host the whole damn thing. Last year may have been a disaster but is the answer really to pretend that anyone who’s clocked less than half a century cares? The Oscars have never been known for being populist, but this year the gap was especially glaring.
I’m glad the Oscars haven’t gone the Grammy route of rewarding their industry’s biggest moneymakers (no offense to Adele, but that path would lead to Oscar nominations for Twilight) but just… Mix it up a little, will ya?
Martin Scorsese’s Hugo, a steampunk-tinged story of early film based on Brian Selznick’s novel The Invention of Hugo Cabret, is one of the 9 nominees for best picture, along with Woody Allen’s time-travel comedy Midnight in Paris. (Allen’s Annie Hall beat out Star Wars for the same prize in 1977.) Hugo scored 11 nods, including best director, making it the most-nominated film.
Harry Potter And The Deathly Hallows: Part 2 got a nod for Visual Effects, where it will compete against Hugo, Real Steel, Rise Of The Planet of The Apes and ILM’s Transformers: Dark of the Moon.
ILM can also celebrate an Animated Feature nomination for Rango, which is up against Shrek spin-off Puss and Boots, Kung Fu Panda 2, A Cat in Paris and Chico & Rita.
Marketing ploy? Sure. But is Warner Bros. sacrificing long-term sales for a blockbuster holiday season? Or will we see the next release just in time for the 2012 holidays? One interesting sign of the times – the moratorium will not include digital methods of delivery.