Club Jade

So Mark Hamill tells Buzzfeed, saying he hasn’t signed a deal for Episode VII yet. But he also talked about his hopes to get a movie version of The Black Pearl shot before Star Wars production starts. He also talks about his stint on the Criminal Minds season finale, which he live-tweeted last night.

Latino Review’s El Mayimbe says that sources are telling him that Jonathan Rhys Meyers of The Tudors fame is in talks for a role in Episode VII.

Meyers is best known for playing Henry VIII in the Showtime series, but if you’re a big Ewan McGregor fan you’ll no doubt recall his turn in Velvet Goldmine. Perhaps more tellingly: He was in the J.J. Abrams-directed Mission Impossible: III. His next major role is as the title character in NBC’s Dracula.

I think it says something that my first thought upon seeing ‘Tudors star’ in the headline was less Meyers and more Natalie Dormer, who’s been knocking it out of the park lately on Game of Thrones and Elementary. (And would thus probably be past being billed as just a ‘Tudors’ star, but hey: Gut feeling. Her Anne Boelyn was the best part of the series.)

I can’t help but hope this one ends up being only a rumor, but Meyers would make a decent villain, I suppose. With all that shouty petulance in his wheelhouse, I can certainly see him playing a failbot Sith/Darksider ala the late Jacen Solo.

In an interview with Buzzfeed, costume designer Michael Kaplan says he’ll be working on J.J. Abrams Episode VII.

“I’ve just learned I’ll be working on the new Star Wars movie, again with J.J. Everything just got formalized [last week], I haven’t even had the chance to talk to anyone about it all other than to be told ‘welcome aboard.’ It’s a little too soon to know exactly what’s in store but I’m excited, absolutely, to get to work on another prestigious sci-fi series.”

In addition to both Abrams Trek movies, Kaplan’s credits include Blade Runner and Fight Club. (via)

The Wrap reports that the Paramount/CBS scuffle over Star Trek merchandising rights prevented J.J. Abrams and Bad Robot from doing quite as much as they would have liked to with the franchise off-screen – and that struggle could have had a part in him signing on with Lucasfilm. His Star Wars contract may allow Abrams a hand in the Star Wars “television properties, theme park rides and spin-off films” that will emerge in the new era his Episode VII is spearheading.

As successful as “Star Trek” has been, few franchises match the profitability and cultural prominence of George Lucas’ space opera, which would be difficult for any director to pass up.

“Disney has always been oriented to multi-platform revenue stream situations,” Seth Willenson, a film library valuations expert, told TheWrap.

Moreover, Willenson notes that Abrams, who has a deal that is believed to include creative and profit participation in “Star Wars” inspired merchandise and spin-offs, will have more control in shaping the legacy of the Skywalker clan than he would have had with developing side projects for the “Star Trek” crew.

Granted, while Lucasfilm, and thus Disney, does own most of Star Wars free and clear, the franchise isn’t totally free of hurtles. 20th Century Fox has distribution rights to the first Star Wars “in perpetuity,” while the other 5 will revert to LFL in 2020. This could complicate things like box sets in the future, but for Abrams, that’s not going to be an immediate issue, or stop him from exploring multi-platform options.

Meanwhile, it’s Bryan Burk’s turn to talk about Episode VII and secrecy with /Film.

An early internet favorite for the job of directing Episode VII, Brad Bird, tells The Hollywood Reporter that he was indeed approached to helm the film:

I’ve known Kathy [Kennedy] for a while and I know George. And they did come to me. But the problem was, the schedule they had in mind made it impossible to do…unless I dropped Tomorrowland. And I was just really deeply into this film at that point. It’s easy to say, “Just put it on hold.” But you’re moving now; you don’t know if you’re going to be able to move later. Maybe it’s true of filmmakers like Cameron or Spielberg, but I have to act on momentum. We had reached a critical mass where it would’ve thrown the furniture around from the train stopping. I really want to see this movie. I love the Star Wars films, and I can’t wait to see what J.J. does, but it meant I’d have to shut down one dream to participate in another. I feel like [with Tomorrowland] we’re making something that’s really special and unique.

Tomorrowland was first known under the name 1952, which also figured into some early EPVII speculation.

He also talks about the possibility of a sequel to The Incredibles.

He takes audience suggestions… Including some from folks you’ll certainly recognize.

First part of the interview is below the cut.

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More interviews with J.J. Abrams as we near the release of Star Trek Into Darkness. Collider presents an interview from Brazilian site Omelete who ask Abrams about Han shooting first, the prequels and his favorite Star Wars film.

And from the Associated Press, Abrams points out the ridiculousness of all the Episode VII questions he’s been getting:

“What the approach is going to be remains to be discussed, because it’s in process,” he said. “So it’s a weird thing to be talking about. If I’m charging down the court dribbling the ball, it’s hard to comment on the layup that’s about to take place.

“I feel like the ball is just getting passed to me now, to complete the annoying metaphor.”

Meanwhile, there’s a nice interview with Abrams’ sometime collaborator Damon Lindelof from The Hollywood Reporter, where he talks about getting into writing, Lost, George Lucas, Star Wars and more.

J.J. Abrams stopped by The Daily Show to chat Star Trek and Star Wars with master geek (and future Jedi?) Jon Stewart. The extended version of the interview begins above, with part 2 below the cut

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Street dates. We got the cover and now Empire and Rebellion: Razor’s Edge – the Leia novel by Martha Wells – has moved up from October 15 to October 1.

It’s been a while since we’ve heard anything about The Essential Characters, but it’s popped up in Random House’s Edelweiss catalog with a brand new far-off date of October 7, 2014. Will it stick? Probably not! (We’ll see.) Pencil it in.

Out now. Dawn of the Jedi: Into the Void came out almost a week ago, and author Tim Lebbon has been making the interview rounds with Suvudu, Jedi News, Star Wars Action News and Roqoo Depot. Meanwhile, there are reviews at Tosche Station, Fangirl, Jedi News, Knights Archive (x2) and Roqoo Depot.

The blogside. Tor’s Emily Asher-Perrin has a list of what Episode VII could lift from the Expanded Universe. I haven’t covered a ton of these sorts of posts, but hey, it’s Tor and she made Mara #1, so. And speaking of… Bria has reached Legacy of the Force.

Audiobooks. Timothy Zahn’s Allegiance and the Hand of Thrawn duology (Specter of the Past and Vision of the Future) are coming as unabridged audiobooks.

Comic reviews.James reviews The Assassination of Darth Vader, Brian Wood’s Free Comic Book Day story, as well as Fire Carrier #4 and Star Wars #5.

Surprising no one, Star Wars is returning to the United Kingdom, StarWars.com announces.

“We’ve devoted serious time and attention to revisiting the origins of Star Wars as inspiration for our process on the new movie, and I’m thrilled that returning to the UK for production and utilizing the incredible talent there can be a part of that,” said Kathleen Kennedy, President of Lucasfilm. “Speaking from my own longstanding connection to the UK with films like Raiders of the Lost Ark, Empire of the Sun and recently War Horse, it’s very exciting to be heading back.”

They aren’t saying exactly where in the country the film will be shot, though Pinewood does seem likely due to their deal with Disney. (And it could also be good news for Scotland, though it’s probably too early for anyone to say.)

The original trilogy and The Phantom Menace were all primarily filmed in the U.K., while Attack of the Clones and Revenge of the Sith did most of their shooting at 20th Century Fox’s studio in Australia, though they returned to the U.K. for pickup shots.