Martin Scorsese’s Hugo – one of the few lead nominees that had any (tentative) connection to genre – swept the technical awards, with Oscars for Cinematography, Art Direction (beating Harry Potter and the Deathly Hallow Part 2,) Sound editing (over Potter and Transformers 3,) Sound Mixing, and Visual Effects (over Potter, Transformers, Real Steel and Rise of the Planet of the Apes.)
Harry Potter also lost out in Makeup, to The Iron Lady. One bright spot: The Muppets took Original Song.
As for the show itself…. It seemed like they just gave up on the younger demographic entirely. The whole show had a tone of ‘Remember how great movies used to be? Before blockbusters and computers? When we, the voting members of the Academy, were young?’ (Nothing, perhaps, says this better than The Artist wins: Old stuff and Hollywood self-absorption.) Billy Crystal may be ‘classic’ but about halfway through his painful song melody I was checked out of his performance and wishing for someone new. (Tom Hanks? Everyone loves Tom Hanks. And he doesn’t sing!) Or just bring back Jon Stewart, who made the montages actually fun. (Also, blackface? How far we’ve come, America.) Hell, let the Muppets host the whole damn thing. Last year may have been a disaster but is the answer really to pretend that anyone who’s clocked less than half a century cares? The Oscars have never been known for being populist, but this year the gap was especially glaring.
I’m glad the Oscars haven’t gone the Grammy route of rewarding their industry’s biggest moneymakers (no offense to Adele, but that path would lead to Oscar nominations for Twilight) but just… Mix it up a little, will ya?
There was no love – or at least, no awards – for The Clone Wars at Saturday’s Annie Awards. However, ILM’s Rango did take home several prizes, including best animated feature, while composer John Williams won for his Tintin score. ILM’s Transformers: Dark of the Moon took best animated effects.
The Clone Wars had 5 total nominations, including Best General Audience Animated TV Production (The Simpsons won) and editing. The individual achievement categories singled out Joel Aron for animated effects and voice actors Dee Bradley Baker and Nika Futterman.
Martin Scorsese’s Hugo, a steampunk-tinged story of early film based on Brian Selznick’s novel The Invention of Hugo Cabret, is one of the 9 nominees for best picture, along with Woody Allen’s time-travel comedy Midnight in Paris. (Allen’s Annie Hall beat out Star Wars for the same prize in 1977.) Hugo scored 11 nods, including best director, making it the most-nominated film.
Harry Potter And The Deathly Hallows: Part 2 got a nod for Visual Effects, where it will compete against Hugo, Real Steel, Rise Of The Planet of The Apes and ILM’s Transformers: Dark of the Moon.
ILM can also celebrate an Animated Feature nomination for Rango, which is up against Shrek spin-off Puss and Boots, Kung Fu Panda 2, A Cat in Paris and Chico & Rita.
The International Animated Film Society released its list of nominations for the 2011 Annie Awards, and both Star Wars: The Clone Wars and the new Star Tours theme park attraction made the list. The Clone Wars earned a nomination for Best General Audience TV Production, competing against such shows as Archer, The Green Lantern: Animated Series, MAD, and The Simpsons. Two voice actors picked up nominations: Dee Bradley Baker, who plays Rex and all the other clones (although the Annie nomination list credits him as Obi-wan Kenobi!) and Nika Futterman, who earned her second nomination two years in a row for voicing Asajj Ventress.
Behind the scenes, Joel Aron of Lucasfilm Animation got nominated for an individual achievement in an animated production for his work on The Clone Wars, while ILM staff picked up individual nominations for their work on Rango, and swept the individual achievement nominations for animated effects in live action productions: Cowboys & Aliens, Pirates of the Caribbean: On Stranger Tides, and Transformers: Dark of the Moon. For his work editing a television production, Jason W. A. Tucker picked up a nomination for The Clone Wars.
Star Tours picked up a nomination for best animated special production, running against Adventure Time: Thank You, Batman: Year One, and Ice Age: A Mammoth Christmas, among others.
The 39th annual Annie awards will be announced on February 4, 2012.
The awards, which also gave the ‘Ultimate Scream’ prize to Harry Potter and the Deathly Hallows: Part 2 and ‘Best Fantasy Actress’ to Natalie Portman for Black Swan, will air on Spike Tuesday, October 18.
Amanda Lucas. We’re all familiar with her MMA fighting career, and in a new interview she addresses the constant and inevitable Star Wars references. “I hope to do my best on my own and prove I’m not just George’s daughter. I work just as hard as my training partners and I don’t want any special treatment. (But “Star Wars” is) going to get mentioned – it’s nothing I can hide,” she said on The MMA Hour.
The Emmy nominations came out this morning, and HBO’s fantasy series is among most nominated. Game of Thrones received 13 nods, most notably Best Drama and a Supporting Actor nomination for Peter Dinklage, who plays Tyrion.
For Best Drama, the show is up against Boardwalk Empire, Friday Night Lights, Dexter, The Good Wife and last year’s winner Mad Men. Dinklage’s competition includes John Slattery of Mad Men and Alan Cumming in The Good Wife.
Thrones other nods include writing (for ‘Baelor,’) direction, casting, costumes, hairstyling, visual effects and Main Title Design.
The Force Unleashed II novelization by Sean Williams is a nominee for Best Speculative Original in the International Association of Media Tie-in Writers’ Fifth Annual Scribe Awards. (Shouldn’t it be in the adapted category?)
The Scribe Awards have previously nominated one Star Wars novel, Karen Miller’s The Clone Wars: Wild Space for Best Speculative Fiction Adapted (…it wasn’t adapted) in 2009, though the prize ultimately went to the novelization of Hellboy: The Golden Army. They also named Alan Dean Foster, who ghostwrote the original Star Wars novelization, a Grandmaster in 2008. Foster also wrote two Star Wars novels under his own name, 1978′s Splinter of the Mind’s Eye and 2002′s The Approaching Storm.
There were few surprises at tonight’s Oscars: Lone genre Best Picture nom Inception was awarded mostly in technical categories (including Visual Effects… Sorry, ILM.) And Natalie Portman did indeed win Best Actress for Black Swan.
For the rest, The King’s Speech cleaned up with 4 awards, including Best Picture, Best Director, and Best Actor for Colin Firth. Batman Jesus Christian Bale took home Best Supporting Actor for The Fighter. But perhaps most mind-blowing to this former teen of the 90′s: Trent Reznor now has an Oscar (for The Social Network score.)
As for the ceremony itself… It was pretty standard; All the real fun was (of course) partaking in all the snark on Twitter. I did greatly enjoy the auto-tune, though.
And yes, Irvin Kershner did make the In Memoriam reel, as did modelmaker Grant McCune.