Some folks at Lucasfilm are raising funds for charity, and here’s your chance to help by bidding on some original art. The items include posters signed by George Lucas and Dave Filoni, plus art from Amy Beth Christensen and other Lucasfilm Animation folks. Proceeds will go to the Breast Cancer Emergency Fund and SF Aids Emergency Fund.
Per Courthouse News Service, Lucasfilm has filed a subpoena request against ImageShack, where user “Darth_Simi” has posted a gallery of leaked photos and supposed concept art.
Interestingly, Simi’s gallery does not seem to be the source of many of the images – they’ve also posted the set shots from TMZ, Greenham Commons aerial shots, the set shot from the Abu Dhabi newspaper plus cast paparazzi and red carpet pics from sources like Getty. (And didn’t the biggest batch of concept leaks actually come from millenniumfalcon.com?)
An image explicitly mentioned in the filing, which was our first look at the broadsaber that we saw in the teaser trailer, actually originates with and is watermarked by Star Wars Underworld, who has since removed it. There are other leaks that they could pursue as well without verifying them, such as the stormtrooper helmets.
However, Simi’s gallery is one of the most complete ones I’ve seen in terms of the various photo leaks, so I can see why Lucasfilm would want it gone, even if it is ‘just’ a collection. It’s practically a (visual) one-stop spoiler shop.
I’m not at all familiar with CNS as a news source, but if there’s any truth to this, I expect we’ll be seeing a lot less leaked art from here on out. Maybe that’s the point of the whole endeavor – not to take out the actual leakers, just to scare them enough that they don’t do it again. Say what you will about a site like Making Star Wars that’s generally only describing stuff, but it would take one a LONG time to go through all of what Jason and company have posted – far longer than an image gallery. (via)
George Lucas has seen The Force Awakens trailer. “It was intriguing,” he told Page Six at a New York screening of Strange Magic. He had more to say on the animated film, of course: “I have been working on this film for 15 years. I was thinking about Star Wars being designed for 12-year- old boys, and I thought maybe I’ll make a film for 12-year-old girls, because I have a lot of daughters. And girls go to the movies. I worked on it on the side for those years, and we finally got it done.”
George Lucas: Museum could go to L.A. if Chicago falls through. He’s still set on Chicago, but there’s currently a lawsuit over the lakefront location. He also revealed that his plan was to film the sequel(s) at the Marin County studio project that was scuttled* in 2012.
USA Today’s Brian Truitt catches up with the elusive George Lucas, who talks about his youngest daughter Everest, Strange Magic and, of course, Star Wars.
There’s not too much about Star Wars, but we do learn one thing: He originally planed to see the first film of the new trilogy through before selling the company, but Disney’s interest happened at just the right moment.
“The only thing I really regret about Star Wars is the fact I never got to see it — I never got to be blown out of my seat when the ship came over the screen,” Lucas says. “The next one, I’ll be able to enjoy it like anybody else.”
Fortune has a photo of Bob Iger with The Force Awaken’s Millennium Falcon, courtesy Industrial Light & Magic:
Yannick Dusseault, visual effects art director for The Force Awakens, and his team gave Fortune six options showing the Falcon in different ways. The resulting image required the custom rendering of ILM’s computer generated Falcon. According to ILM, the fabled ship was rendered in wireframe form (a skeletal version) as well as a more layered “textured render,” which were combined in Photoshop to create the final image.
Iger is the magazine’s latest cover story, one focusing on Disney and technology.
Strange Magic trailer debuts. Lucasfilm’s animated fairy tale musical will be out January 23.
The Rebels blitz continues, with the Wall Street Journal today featuring Lucasfilm’s Kiri Hart.
Tasked by head honcho Kathleen Kennedy to develop and oversees new Star Wars content, Hart and her ‘team of five’ (the Story Group, ahem) keep a tight rein on the galaxy… Although she does know there’s room for a lot of different things in the franchise:
“I think there are boundaries, but we don’t want to rigidly define them,” she said. “It’s obviously not slapstick comedy, but there’s room for many different stories and genres that still feel like ‘Star Wars.'”
One filmmaker says she is “as close to a Kevin Feige as there is at Lucas,” and in a longer interview she details some of Lucasfim’s recent choices.
We pretty quickly arrived at a content plan that stretches out for several years and we didn’t go looking for those ideas. Those existed internally. We were in a situation of looking for people to help us execute the ideas we had.
On setting aside the EU:
I’m crazily passionate about this idea of narratives travelling across different platforms. It just feels like a golden opportunity. This is a fictional universe that not only supports [narrative coherence] but invites it.
In addition, we wouldn’t be giving the right green space to our filmmakers if we mandated they stay within the stories that have been told [in books.]
I haven’t experienced “Star Wars” being for boys, because I loved it from seven years old. I was so powerfully influenced by Princess Leia as a kid. I remember being transfixed by her — she was so empowered and smart and funny.
There are a lot of different types of characters. “Star Wars” should be diverse because it’s a big galaxy.
This certainly sheds some light for us on how things are working internally these days!
Bob Iger signs on to Disney through 2018. He’s been CEO since 2005, and is the guy behind the Pixar, Marvel, and Lucasfilm acquisitions. Lucasfilm head Kathleen Kennedy has occasionally come up as a wild card to succeed him.