A similar area is planned for Disney’s Hollywood Studios in Orlando. Work has started at both parks, but no opening dates have been announced.
The Lucas Museum won’t be in Chicago after all. Museum officials are ending plans to build there after a challenge from the group Friends of the Parks.
“No one benefits from continuing their seemingly unending litigation to protect a parking lot,” filmmaker George Lucas said. “The actions initiated by Friends of Parks and their recent attempts to extract concessions from the city have effectively overridden approvals received from numerous democratically elected bodies of government.”
Initial plans were to build the museum in a lakefront area that’s currently a parking lot.
In a new interview with The Hollywood Reporter, Disney’s Bob Iger talks about the futures of Star Wars and Indiana Jones, as well as the challenges of running Disney.
On Rogue One:
I’ve seen Rogue One. I’ve seen not only an edited picture but I’ve seen significantly more footage than was even in that picture. That’s actually going to be a fine film.
Iger doesn’t expect Indiana Jones to become as extensive a franchise as Star Wars, but he does say that Indy 5 won’t be a one-off. “We’re focused on a reboot, or a continuum and then a reboot of some sort.” On Harrison Ford:
Well, we’ll bring him back, then we have to figure out what comes next. That’s what I mean. It’s not really a reboot, it’s a boot — a reboot. I don’t know.
That’s… Intriguing? But anything after Indy 5 all seems a way off at this point.
The interview also goes into the ever-present parks and ESPN business.
Well, file this under ‘delightful:’ Disney is testing interactive droid characters to roam their parks. Youtuber DAPs Magic (via io9) spotted ‘Jake’ at Disneyland’s Launch Bay, even interacting with exhibits.
Threepio, Artoo and BB-8 are givens for the parks, but the idea of new-to-us droids randomly roaming Star Wars Land? Bring it.
Disney has announced that Steven Spielberg and Harrison Ford will be making a fifth Indiana Jones film for a July 19, 2019 release. Kathleen Kennedy and Frank Marshall will again produce.
The last Indy film, Indiana Jones and the Kingdom of the Crystal Skull, came out in 2008. Rumors of a fifth installment have been rumbling since Disney and Paramount announced in 2013 they’d come to deal on rights to the franchise following the former’s 2012 purchase of Lucasfilm.
Vanity Fair has a new interview and profile of Kathleen Kennedy in the wake of The Force Awakens. The most interesting part, perhaps, comes from writer Tony Kushner (Angels in America:)
“She talked about the way in which the conventional approach to these things is that a script starts from an outline, and that’s what everybody focuses on before there’s a word of dialogue.” In Kushner’s recollection, Kennedy was urging the writers to turn their focus to the characters. She kept saying to them, “Who are these people? I don’t know who these people are.” Kushner felt that “she was expressing an impatience about character being secondary to story line, which violated something very essential for her.”
He went on: “We had an interesting conversation about how a lot of playwrights start with outlines because it gives you something to hold on to, but that you know the characters are likely to derail the outline once they start doing what they do.” He and Kennedy talked about how “there’s no telling what will happen once you have invented a person. They may be willing to do what the outline says to do, but they may have very different plans in mind.” The sense Kushner got was that Kennedy “was pushing people to be unafraid of being lost for a while. It was good to see her holding the banner of complexity in the middle of this huge enterprise of Star Wars.” The machines, in other words, have not won.
She also addresses Leia’s slave bikini:
Referring to a notorious scene in Return of the Jedi, I asked Kennedy if she would ever have put Princess Leia in a golden bikini—the famous “slave Leia” costume that is embedded in the collective unconscious of legions of men who were adolescents in the 80s. “With a chain around her neck?,” Kennedy asked, arching an eyebrow and laughing. “I don’t think that would happen.” She quickly added that she didn’t think George Lucas would put her in that bikini today.
Lucas’ wife, Mellody Hobson, on the other hand, says “George is not apologetic about that bikini.” I don’t doubt it.
The article notes that there isn’t a ban on the slave bikini – but I’ve always suspected the real story is that there’ll be less bikini, as opposed to a blanket ban, considering the source of the ‘banning’ brouhaha is a pinup artist.
In any case, you’re going to want to read the whole thing.
Lucasfilm’s Story Group began as an initiative from Kathleen Kennedy to help guide the Star Wars franchise. Other members include Kiri Hart, Pablo Hidalgo and Leland Chee.
The Washington Post has a new profile of George Lucas, where he talks about Lucasfilm, the old movies, the new movie (he hasn’t seen it yet,) and his reasoning for Han shooting second:
“Han Solo was going to marry Leia, and you look back and say, ‘Should he be a cold-blooded killer?’ ” Lucas asks. “Because I was thinking mythologically — should he be a cowboy, should he be John Wayne? And I said, ‘Yeah, he should be John Wayne.’ And when you’re John Wayne, you don’t shoot people [first] — you let them have the first shot. It’s a mythological reality that we hope our society pays attention to.”
There’s no doubt in my mind he’s said something like that many times, but even I can’t spare any more brainspace for these things. They are what they are, and sometimes being healthy about Star Wars means you just have to shrug.
On “the divorce” with Star Wars and Lucasfilm:
“There is no such thing as working over someone’s shoulder,” he says. “You’re either the dictator or you’re not. And to do that would never work, so I said ‘I’m going to get divorced.’ . . . I knew that I couldn’t be involved. All I’d do is make them miserable. I’d make myself miserable. It would probably ruin a vision — J.J. has a vision, and it’s his vision.”
Later, he compares it to a grown child getting married, and admits “it is what it is and it’s a conscious decision that I made.”
In any case, it’s a nice profile that doesn’t avoid the unavoidable, but does the job of catching us up with George.
It was October 30, 2012 when it was announced that Disney was buying Lucasfilm and making Episode VII. Today, the long wait is almost over – we’re less than 50 days away from actually seeing The Force Awakens.
We’ve seen drastic changes in the landscape of the franchise and fandom – the sad but ultimately merciful alternate universing of the old Expanded Universe, the cancellation of The Clone Wars, saying farewell to beloved licensees like Dark Horse – but we’re getting not only more films, but theme parks and fresh starts aplenty from Disney, Marvel and Del Rey. Things have changed a lot, but what of it? Sometimes, change is necessary, and I think the last three years prove that – at least so far.
It’s been a trip, and the franchise has reached some crazy highs in that time, a heightened interest from all quarters, a surge that we haven’t seen since The Phantom Menace. Could we be setting ourselves up for disappointment? Even if The Force Awakens is indeed well received, I doubt anything will go completely smoothly, as we’ve already seen some dark undercurrents regarding the changes. But if someone as cynical and jaded as I am can be hopeful, why not?
Lucasfilm president Kathleen Kennedy was among those who spoke at Fortune’s Most Powerful Women Summit today, where she addressed the number of women at Lucasfilm (particularly on the Story Group) and said that she’s confident that there will be a woman directing a Star Wars film one day.
“I have a huge number of men who call me,” she says. “And tell me how much of a Star Wars fan they are, how much they want to get involved in anything to do with Star Wars. I don’t have a lot of women who call.”
It’s a strong parallel to points made in an essay by actress Jennifer Lawrence that came out today, about getting paid less than her male co-stars.